Chief among these is Zoey's husband Claudio, off in Italy for an extended period to tend to business and family matters, and the wife will play while hubby's away.
Much of the non-sex action has Angela and others name-dropping numerous characters who are absent from Part 4 but part of the ensemble story. In prior episodes (the feature is preceded by a 1-minute recap featuring various actresses from Parts 1-3) we saw Zoey give in, and of course the final segment here will have her going Sapphic once more. Keeping this from being an all-female cast is a brief appearance by the local priest Father Fogerty (an unidentified Marcus London type), who along with parishioner Kobe Lee is visiting star Zoey Holloway to encourage her to resist her lesbian tendencies. But it has set the standard for thousands of untalented pornographers who rely on such drivel for their set-up scenes before moving on to the main event of explicit sex. The sort of confrontational dialog that dominates this feature was pioneered by Andy Warhol in the 1960s in his breakthrough films like "The Chelsea Girls", "Nude Restaurant" and "I, A Man", and was largely ridiculed at the time. The first reel or two consists of endless yammering by the soap opera's bad girl Angela Sommers, frequently getting stammered reactions from the rest of the cast as she insistently tells them what to do and spreads endless rumors. Girlfriends features generally are shot without a script (and rarely are any screen credits beyond the names of the actresses displayed), and the cast winging it is terrible and embarrassing here. Girlfriends Films deserves much credit for reinvigorating the Lesbian Cinema genre over the past two decades, but this episode in a failed series for the label points up the company's weaknesses.
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